(published May 2020)
Review of The Filthy Quiet by Kate Noakes and In Passing by Anna Lewis in Poetry Wales.
[originally published in Kamena Magazine]
With the polar vortex in full swing stateside and temperatures in the UK looking not dissimilar to my current bank balance, the release of Caroline Lea’s Icelandic ghost story/murder mystery, The Glass Woman, could not have come at a better time.
[published in The Boar, 18/10/18]
When Killing Eve was first announced, I was cautiously optimistic. The premise was an enticing one: a crime-thriller show about a government worker chasing down a contract killer, with the two leads played by Sandra Oh (Grey’s Anatomy) and Jodie Comer (Doctor Foster) respectively. The idea of a female led show of this type sounded fantastic, though as someone who’s been scorned by mediocre tokenistic attempts in the past (Ghostbusters is a sore point) I knew that much was down to the showrunner. Enter Phoebe Waller-Bridge.