(published 24/05/2021 on Bandit Fiction) With offices opening up and the end of the Work-From-Home year in sight, there might never have been a more relevant book to read than PowerPoint Eulogy, one of Fly on the Wall Press’s latest publications in its “Shorts” series, and artist Mark Wilson’s first poetry pamphlet. Then again, thereContinue reading “Review: “Powerpoint Eulogy” by Mark Wilson”
(published 21/04/2021) The central problem at the core of all pamphlets is space. There’s so little time to build up to anything of substance that many err on the side of caution, opting to tackle a tiny concept in great depth. In Pat Edwards’ Only Blood, however, the subject is the greatest and longest: life,Continue reading “Zoë Wells on Pat Edwards and Kittie Belltree”
(published by Ink, Sweat and Tears 14/04/2021) Parallel translations always bring a certain kind of joy. I have fond memories of reading Pablo Neruda for the first time, original text on the left, English translation on the right. Feeling out the Spanish sounds out loud with no understanding, then checking the following page and findingContinue reading “Mither Tongue – A love letter to translation”
(published May 2020) Review of The Filthy Quiet by Kate Noakes and In Passing by Anna Lewis in Poetry Wales. Read more in Poetry Wales.
[originally published in Kamena Magazine] It’s hard to find a funny poet – it seems that the vast majority of us are doomed to sit around bemoaning the sad state of the world as it is/was/always will be. It’s even harder to find someone who can be funny without being either superficial or depressing. But somehow,Continue reading “Jonathan Edwards’ “Gen”: A Human Comedy”