[originally published in Kamena Magazine]
It’s hard to find a funny poet – it seems that the vast majority of us are doomed to sit around bemoaning the sad state of the world as it is/was/always will be. It’s even harder to find someone who can be funny without being either superficial or depressing. But somehow, despite the many ways the world has changed for the worse in the four years since My Family and Other Superheroes, Jonathan Edwards has done it: he’s got me laughing again.
[published in The Boar, 03/10/18]
The way I see it, there are three main ways you meet people in first year: your course, your accommodation, and the clubs that you join. My first year was pretty much decided from the offset.
Course: English is an absurdly large degree. There are hundreds of people, and everyone has to do the same modules for first year which means that you’re flooded with lectures of three hundred people. You’re lucky if you see the same person across two seminars
[published in The Boar, 18/10/18]
When Killing Eve was first announced, I was cautiously optimistic. The premise was an enticing one: a crime-thriller show about a government worker chasing down a contract killer, with the two leads played by Sandra Oh (Grey’s Anatomy) and Jodie Comer (Doctor Foster) respectively. The idea of a female led show of this type sounded fantastic, though as someone who’s been scorned by mediocre tokenistic attempts in the past (Ghostbusters is a sore point) I knew that much was down to the showrunner. Enter Phoebe Waller-Bridge.
[published in The Boar, 04/09/2018]
From the ancient Greek epics, to the eddas of the Norse skalds, to the confessional poetry of the second half of the 20th century, poetry has been a constant in the way we tell stories. But, to the vast majority of modern people, poetry is on its way out. Blame it on what you will: a boom in digital storytelling; syllabi that fixate on old poets whose subjects are irrelevant to a modern audience; or simply an art form that has failed to grow with humanity and reached its natural end. But one thing is for sure: poetry, as we know it, is on its way out.
[published in Kamena Magazine, 10/08/2018]
Jessica Kashdan-Brown is a current Warwick Writing Programme (WWP) student, poet, and writer, originally from Bath. Her current project, the Bath Canal Poetry Route, works with the help of the Canal & River Trust to place poetry in the locks of the Bath canals, such that the poem changes as the water in the lock rises and falls. Continue reading
[published in The Boar, 20/06/2018]
Starting next academic year, the University of Warwick will offer a one term course, the “Postgraduate Award in Islamic Education”, which is designed to bridge the gap between Islamic seminaries and modern tertiary education. This will be the first course of its kind to be offered at any UK university.
[published in The Boar, 30/05/2018]
It’s getting to be that weird time of year again: the one where some people have finished all their exams and coursework and are celebrating by downing absurd amounts of vodka, while other people are only halfway through and are really starting to feel the burnout. If you’re reading this and you’re in the latter group, you’re no doubt procrastinating to a ridiculous degree and should probably get back to work. But, since you’re here, why not procrastinate productively?
[published in Kamena Magazine, 22/05/18]
Jonathan Edwards’ first poetry collection, My Family and Other Superheroes (Seren Books, 2014), was the winner of the 2014 Costa Poetry Award. His humorous poetry covers life growing up in Wales, filled with characters from Evel Knievel to Marty McFly to bicycling nuns. He holds an MA in Writing from Warwick, and currently teaches in Wales.